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Panasonic PT-AE3000 home theater projector

Introduction

, The PT-AE3000 is the latest evolution of home theater projectors Panasonic the range of successful PT-AE series, which began in 2001 with a small PT AE100. The new PT-AE3000 is characterized by the engine of the latest developments made Dell Epson 3LCD by contributing to increased Introduction

href = "http://reviews-mann.blogspot.com/2010/02/panasonic-pt-ae3000-home-theater.html"> Panasonic PT-AE3000 home theater projector

The PT-AE3000 is the latest evolution of home theater projectors in the range of Panasonic's successful PT-AE series, which began in 2001 with a small PT AE100. The new PT-AE3000 is characterized by the engine of the latest developments Dell manufactured by Epson 3LCD which helped to increase

Panasonic PT-AE3000 Home Theater Projector

compared to its predecessor, the native contrast ratio. The most interesting concern is the reduction of motion blur (loss of detail for moving images), the increased flow of material to 24p, 25p and 30p and greater native contrast ratio.

Panasonic PT-AE3000 Home Theater Projector

The presence of a new optical power, with the ability to hold two positions, one for the 16:9 and the other of 2.35:1. Us had already introduced the new Panasonic PT-AE3000 projector.

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# 2
Old 28.08.2009
Spykar Spykar is offline
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Join Date: October 2005
Posts: 294
Re: Panasonic PT-AE3000 home theater projector
Installation and menus

Appearance size and characteristics of the target allows unprecedented versatility of the facility, especially in environments where space is inversely proportional to size of the screen you want to achieve. As indicated in the specifications the shooting ratio is 1,34:1 and 2,67:1 between. Recall that the relationship Shooting is the mathematical relationship between the bottom of the image and the distance between the lens and the image itself. In this case, the PT-AE3000 is capable of projecting an image 2 meter base (90 ") at a distance of between 2.7 meters and 5.3 meters in practice, you can choose whether to place the front of the projector, perhaps in a table or behind, maybe on top of a shelf or on a stand on the roof. the goal in the telephoto position (the same with the projector away from the screen) can lose up to 40% of light in relation to the position wide.

The PT-AE3000 projector itself as a highly versatile. Versatility also included in the configuration menu that retains the basic approach that earned the success of the 1000 and 2000 models in recent years. In particular, I thank the wide margin of adjustment provided by the Advanced menu picture settings you can adjust the white balance for each RGB component of high and low light and store profiles of different colors all menus internal color management by being able to operate regularly in certain parts of the projected image. memorable even in the latter model is the presence of waveform monitor to analyze and display waveforms of the individual components of the RGB and luminance that allows you to see the instrumental corrections are made. The scan mode signal is significantly higher compared to previous models and was also introduced in Auto Adjust mode but in practice has not shown be very useful in the calibration.

In addition to the excellent versatility for calibration of gamma and white balance, highlighting the possibility for calibrating the colors through a CMS (color management system) a little bit special and is already used in projector PT-AE series. Instead of selecting a color (primary or secondary) of the menu, select an image, through a cursor. In this sense, is very useful for a screen with color bars. The CMS lets you talk up to 8 colors. Modulation of controls is quite extensive although not always guarantee an adequate response to these colors distant from the point of intervention.

absolute novelty of the PT-AE3000 is the ability to hold two different positions in the optical cable (which operates in the optical zoom and focus) to pass quickly and particularly optically 16 / 9 format 2.35:1 (for those with a screen with the aspect ratio) and 100Hz frame called Creation and can operate in two modes more or less invasive. I must say that the system developed by Japanese technicians, is very effective and can actually reduce any micro clicks without appearing too invasive, especially to maintain almost intact the effect of film depth. Also, under options you can set the response between normal and fast frame, thus reducing the lack of motion blur that can occur especially during gaming sessions.
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# 3
Old 28.08.2009
Spykar Spykar is offline
Member

Join Date: October 2005
Posts: 294
Re: Panasonic PT-AE3000 home theater projector
lumen and contrast ratio

The most interesting to watch movies at home (colore1, colore2, Movie1, Movie2, cinema3) are characterized by the use of a color filter inside the projector, as was the case for models other series. The filter (very similar to FL-Day) dramatically reduces the light output remains in this mode, still below the 300 lumens, even with the position wide lens. With the change widescreen mode to the more remote target, the luminous flux is reduced by 40%.

The improvement over the previous generation is also sensitive about the relationship of a contrast between 2.500:1 and 9.500:1 according to some, on the intervention of the various modes. compared with its predecessor, the native contrast ratio. The most interesting concern is the reduction of motion blur (loss of detail for images moving), the increased flow of material to 24p, 25p and 30p and greater native contrast ratio.

The presence of a new optical power, with the possibility to hold two positions for one and one for 16:9 2.35:1. We had already introduced the new Panasonic PT-AE3000 projector.

Reply With Quote
# 2
Old 28.08.2009
Spykar Spykar is offline
Member

Join Date: October 2005
Posts: 294
Re: Panasonic PT-AE3000 Home Theater Projector
Installation and menus

Appearance, size and unique characteristics of the target allows installation versatility, especially in environments where space is inversely proportional to the size of the screen you want to achieve. As indicated in the technical characteristics of the relationship between target shooting is 1,34:1 and 2,67:1. Recall that the ratio of shot is the mathematical relationship between the bottom of the image and the distance between the lens and the image itself. In this case, the PT-AE3000 is capable of projecting an image of 2 meter base (90 ") at a distance of between 2.7 meters and 5.3 meters in practice, you can choose whether to place the front of the projector, perhaps in a table, or behind, maybe on top of a shelf or on a stand on the roof. the goal position telephoto (same with the projector away from the screen), you can lose up to 40% of light in relation to the position wide.

The PT-AE3000 projector itself as a great versatile. Versatility also included in the setup menu that retains the basic approach that earned him success 1000 and 2000 models in recent years. In particular, I appreciate the degree range of adjustment provided by the advanced menu of the picture settings you can adjust the white balance for each RGB component of high and low light and store profiles of different colors all menus internal color management to be able to operate regularly parts of the projected image. memorable even in the latter model is the presence of waveform monitor that analyzes and displays waveforms of the individual components RGB and luminance that allows you to see the instrumental corrections are made. The scan mode signal is significantly higher compared with previous models and was also introduced in Auto Adjust mode but in practice it has proved very useful for calibration.

In addition to the excellent versatility for calibration gamma and white balance, highlighting the possibility of calibrating the colors through a CMS (color management system) a little bit special and is already used in projectors Series PT-AE. Instead of selecting a color (primary or secondary) on the menu, select an image, through a cursor. In this sense, it is very useful for screen with color bars. The CMS lets you talk up to 8 colors. The modulation of the controls is quite extensive, though not always guaranteed an adequate response to these colors distant from the point of intervention.

Absolute novelty of the PT-AE3000 is the ability to store two different positions in the optical cable (which acts on the zoom Optical and approach) to move quickly and optically particular format 16 / 9 2.35:1 (For those who have a screen with this aspect ratio) and Creation of paintings called 100Hz and can operate in two modes more or less invasive. I must say that the system developed by Japanese technicians, is very effective and can reduce micro actually clicks without appearing too invasive, especially to maintain almost intact the effect of film depth. Also, under options you can set the Marco response between normal and fast, thus reducing the lack of motion blur that can occur especially during gaming sessions.
Reply With Quote
# 3
Old 28.08.2009
Spykar Spykar is offline
Member

Join Date: October 2005
Posts: 294
Re: Panasonic PT-AE3000 Projector Home Theater
lumen and contrast ratio

The most interesting way to watch movies at home (colore1, colore2, Movie1, Movie2, cinema3) are characterized by the use of a color filter inside the projector, as has happened to the other models series. The filter (very similar to FL-day) dramatically reduces the flow of light remains in this mode, still below the 300 lumens, even with the position of the lens wide. With the change of goal to the more remote landscape mode, the flow light is reduced by 40%.

The improvement over the previous generation is also sensitive about the relationship of contrast between about 2.500:1 and 9.500:1 approaches, depending on the intervention of the various modes.

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Panasonic PT-AE3000 Home Theater Projector

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